A look at the higher dimensions
Do higher dimensions exist? Are there unseen worlds just beyond our reach, beyond the normal laws of physics? Although higher dimensions have historically been the exclusive realm of charlatans, mystics, and science fiction writers, many serious theoretical physicists now believe that higher dimensions not only exist, but may also explain some of the deepest secrets of nature. Although we stress that there is at present no experimental evidence for higher dimensions, in principle they may solve the ultimate problem in physics: the final unification of all physical knowledge at the fundamental level.
My own fascination with higher dimensions began early in childhood. One of my happiest childhood memories was crouching next to the pond at the famed Japanese Tea Garden in San Francisco, mesmerized by the brilliantly colored carp swimming slowly beneath the water lilies. In these quiet moments, I would ask myself a silly question that a only child might ask: how would the carp in that pond view the world around them? Spending their entire lives at the bottom of the pond, the carp would believe that their “universe” consisted of the water and the lilies; they would only be dimly aware that an alien world could exist just above the surface. My world was beyond their comprehension. I was intrigued that I could sit only a few inches from the carp, yet we were separated by an immense chasm. I concluded that if there were any “scientists” among the carp, they would scoff at any fish who proposed that a parallel world could exist just above the lilies. An unseen world beyond the pond made no scientific sense. Once I imagined what would happen if I reached down and suddenly grabbed one of the carp “scientists” out of the pond. I wondered, how would this appear to the carp? The startled carp “scientist” would tell a truly amazing story, being somehow lifted out of the universe (the pond) and hurled into a mysterious nether world, another dimension with blinding lights and strange-shaped objects that no carp had ever seen before. The strangest of all was the massive creature responsible for this outrage, who did not resemble a fish in the slightest. Shockingly, it had no fins whatsoever, but nevertheless could move without them. Obviously, the familiar laws of physics no longer applied in this nether world!
The Theory of Everything
Sometimes I believe that we are like the carp living contently on the bottom of that pond; we live our lives blissfully ignorant of other worlds that might co-exist with us, laughing at any suggestion of parallel universes.
All this has changed rather dramatically in the past few years. The theory of higher dimensional space may now become the central piece in unlocking the origin of the universe. At the center of this conceptual revolution is the idea that our familiar three dimensional universe is “too small” to describe the myriad forces governing our universe. To describe our physical world, with its almost infinite variety of forms, requires entire libraries overflowing with mountains of technical journals and stacks of obscure, learned books. The ultimate goal of physics, some believe, is to have a single equation or expression from which this colossal volume of information can be derived from first principles. Today, many physicists believe that we have found the “unified field theory” which eluded Einstein for the last thirty years of his life. Although the theory of higher dimensional space has not been verified (and, we shall see, would be prohibitively expensive to prove experimentally), almost 5,000 papers, at last count, have been published in the physics literature concerning higher dimensional theories, beginning with the pioneering papers of Theodore Kaluza and Oskar Klein in the 1920’s and 30s, to the supergravity theory of the 1970s, and finally to the superstring theory of the 1980s and 90s. In fact, the superstring theory, which postulates that matter consists of tiny strings vibrating in hyperspace, predicts the precise number of dimensions of space and time: 10.
Why Can’t we See the Fourth Dimension?
To understand these higher dimensions, we remember that it takes three numbers to locate every object in the universe, from the tip of your nose to the ends of the world. For example, if you want to meet some friends in Manhattan, you tell them to meet you at the building at the corner of 42nd street and 5th avenue, on the 37th floor. It takes two numbers to locate your position on a map, and one number to specify the distance above the map. It thus takes three numbers to specify the location of your lunch. (If we meet our friends at noon, then it takes four numbers to specify the space and time of the meeting.)
However, try as we may, it is impossible for our brains to visualize the fourth spatial dimension. Computers, of course, have no problem working in N dimensional space, but spatial dimensions beyond three simply cannot be conceptualized by our feeble brains. (The reason for this unfortunate accident has to do with biology, rather than physics. Human evolution put a premium on being able to visualize objects moving in three dimensions. There was a selection pressure placed on humans who could dodge lunging saber tooth tigers or hurl a spear at a charging mammoth. Since tigers do not attack us in the fourth spatial dimension, there simply was no advantage in developing a brain with the ability to visualize objects moving in four dimensions.)
Meeting a Higher Dimensional Being
To understand some of the mind-bending features of higher dimensions, imagine a two-dimensional world, called Flat land (after Edwin A. Abbott’s celebrated novel) that resembles a world existing on a flat table-top. If one of the Flatlanders becomes lost, we can quickly scan all of Flatland, peering directly inside houses, buildings, and even concealed places. If one of the Flatlanders becomes sick, we can reach directly into their insides and per form surgery, without ever cutting their skin. If one of the Flatlanders is incarcerated in jail (which is a circle enclosing the Flatlander) we can simply peel the person off from Flatland into the third dimension and place the Flatlander back somewhere else. If we become more ambitious and stick our fingers and arms through Flatland, the Flatlanders would only see circles of flesh that hover around them, constantly changing shape and merging into other circles. And lastly, if we fling a Flatlander into our three dimensional world, the Flatlander can only see two dimensional cross sections of our world, i.e. a phantasmagoria of circles, squares, etc. which constantly change shape and merge (see fig. 1 and 2). Now imagine that we are “three dimensional Flatlanders” being visited by a higher dimensional being. If we became lost, a higher dimensional being could scan our entire universe all at once, peering directly into the most tightly sealed hiding places. If we became sick, a higher dimensional being could reach into our insides and perform surgery without ever cutting our skin. If we were in a maximum-security, escape-proof jail, a higher dimensional being could simply “yank” us into a higher dimension and redeposit us back somewhere else. If higher dimensional beings stick their “fingers” into our universe, they would appear to us to be blobs of flesh which float above us and constantly merge and split apart. And lastly, if we are flung into hyperspace, we would see a collection of spheres, blobs, and polyhedra which suddenly appear, constantly change shape and color, and then mysteriously disappear. Higher dimensional people, therefore, would have powers similar to a god: they could walk through walls, disappear and reappear at will, reach into the strongest steel vaults, and see through buildings. They would be omniscient and omnipotent. Not surprisingly, speculation about higher dimensions has sparked enormous literary and artistic interest over the last hundred years.
Mystics and Mathematics
Fyodor Dostoyevsky, in The Brothers Karamazov, had his protagonist Ivan Karamazov speculate on the existence of higher dimensions and non-Euclidean geometries during a discussion on the existence of God. In H. G. Wells’ The Invisible Man, the source of invisibility was his ability to manipulate the fourth dimension. Oscar Wilde even refers to the fourth dimension in his play The Canterville Ghost as the homeworld for ghosts.
The fourth dimension also appears in the literary works of Marcel Proust and Joseph Conrad; it inspired some of the musical works of Alexander Scriabin, Edgar Varege, and George Antheil. It fascinated such diverse personalities as the psychologist William James, literary figure Gertrude Stein, and revolutionary socialist Vladimir Lenin. Lenin even waged a polemic on the N-th dimension with philosopher Ernst Mach in his Materialism and Empirio-Criticism. Lenin praised Mach, who “has raised the very important and useful question of a space of n-dimensions as a conceivable space,” but then took him to task by insisting that the Tsar could only be overthrown in the third dimension.
Artists have been particularly interested in the fourth dimension because of the possibilities of discovering new laws of perspective. In the Middle Ages, religious art was distinctive for its deliberate lack of perspective. Serfs, peasants, and kings were depicted as if they were flat, much the way children draw people. Since God was omnipotent and could therefore see all parts of our world equally, art had to reflect His point of view, so the world was painted two-dimensionally. Renaissance art was a revolt against this flat God- centered perspective. Sweeping landscapes and realistic, three dimensional people were painted from the point of view of a person’s eye, with the lines of perspective vanishing into the horizon. Renaissance art reflected the way the human eye viewed the world, from the singular point of view of the observer. In other words, Renaissance art discovered the third dimension. With the beginning of the machine age and capitalism, the artistic world revolted against the cold materialism that seemed to dominate industrial society. To the Cubists, positivism was a straitjacket that confined us to what could be measured in the laboratory, suppressing the fruits of our imagination. They asked: Why must art be clinically “realistic?” This Cubist “revolt against perspective” seized the fourth dimension because it touched the third dimension from all possible perspectives. Simply put, Cubist art embraced the fourth dimension. Picasso’s paintings are a splendid example, showing a clear rejection of three dimensional perspective, with women’s faces viewed simultaneously from several angles. Instead of a single point-of-view, Picasso’s paintings show multiple perspectives, as if they were painted by a being from the fourth dimension, able to see all perspectives simultaneously. As art historian Linda Henderson has written, “the fourth dimension and non-Euclidean geometry emerge as among the most important themes unifying much of modern art and theory.”
Unifying the Four Forces
Historically, physicists dismissed the theory of higher dimensions because they could never be measured, nor did they have any particular use. But to understand how adding higher dimensions can, in fact, simplify physical problems, consider the following example. To the ancient Egyptians, the weather was a complete mystery. What caused the seasons? Why did it get warmer as they traveled south? The weather was impossible to explain from the limited vantage point of the ancient Egyptians, to whom the earth appeared flat, like a two-dimensional plane.
But now imagine sending the Egyptians in a rocket into outer space, where they can see the earth as simple and whole in its orbit around the sun. Suddenly, the answers to these questions become obvious. From outer space, it is clear that the earth tilts about 23 degrees on its axis in its orbit around the sun. Because of this tilt, the northern hemisphere receives much less sunlight during one part of its orbit than during another part. Hence we have winter and summer. And since the equator receives more sunlight on the average than the northern or southern polar regions, it becomes warmer as we approach the equator.
In summary, the rather obscure laws of the weather are easy to understand once we view the earth from space. Thus, the solution to the problem is to go up into space, into the third dimension. Facts that were impossible to understand in a flat world suddenly become obvious when viewing a unified picture of a three dimensional earth.
The Four Fundemental Forces
Similarly, the current excitement over higher dimensions is that they may hold the key to the unification of all known forces. The culmination of 2,000 years of painstaking observation is the realization that that our universe is governed by four fundamental forces. These four forces, in turn, may be unified in higher dimensional space. Light, for example, may be viewed simply as vibrations in the fifth dimension. The other forces of nature may be viewed as vibrations in increasingly higher dimensions. At first glance, however, the four fundamental forces seem to bear no resemblance to each other. They are:
Gravity is the force which keeps our feet anchored to the spinning earth and binds the solar system and the galaxies together. Without gravity, we would be immediately flung into outer space at l,000 miles per hour. Furthermore, without gravity holding the sun together, it would explode in a catastrophic burst of energy. Electro-magnetism is the force which lights up our cities and energizes our household appliances. The electronic revolution, which has given us the light bulb, TV, the telephone, computers, radio, radar, microwaves, light bulbs, and dishwashers, is a byproduct of the electro-magnetic force.
The strong nuclear force is the force which powers the sun. Without the nuclear force, the stars would flicker out and the heavens would go dark. The nuclear force not only makes life on earth possible, it is also the devastating force unleashed by a hydrogen bomb, which can be compared to a piece of the sun brought down to earth. The weak force is the force responsible for radio active decay involving electrons. The weak force is harnessed in modern hospitals in the form of radioactive tracers used in nuclear medicine. The weak force also wrecked havoc at Chernobyl. Historically, whenever scientists unraveled the secrets of one of the four fundamental forces, this irrevocably altered the course of modern civilization, from the mastery of mechanics and Newtonian physics in the 1700s, to the harnessing of the electro-magnetism in the 1800s, and finally to the unlocking of the nuclear force in the 1900s. In some sense, some of the greatest breakthroughs in the history of science can be traced back to the gradual understanding of these four fundamental forces. Some have even claimed that the progress of the last 2,000 years of science can be understood as the successive mastery of these four fundamental forces. Given the importance of these four fundamental forces, the next question is: can they be united into one super force? Are they but the manifestations of a deeper reality? Given the fruitless search that has stumped the world’s Nobel Prize winners for half a century, most physicists agree that the Theory of Everything must be a radical departure from everything that has been tried before. For example, Niels Bohr, founder of the modern atomic theory, once listened to Wolf gang Pauli’s explanation of his version of the unified field theory. In frustration, Bohr finally stood up and said, “We are all agreed that your theory is absolutely crazy. But what divides us is whether your theory is crazy enough.”
Today, however, after decades of false starts and frustrating dead ends, many of the world’s leading physicists think that they have finally found the theory “crazy enough” to be the unified field theory. There is widespread belief (although certainly not unanimous by any means) in the world’s major re search laboratories that we have at last found the Theory of Everything.
Article found on: http://mkaku.org/home/articles/hyperspace-a-scientific-odyssey/